? Emperor Qianlongs calligraphy on display in Beijing - 养殖业
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Emperor Qianlongs calligraphy on display in Beijing

发布时间:2019-06-11 16:22浏览量:197

Emperor Qianlongs calligraphy on display in Beijing

VisitorsviewaportraitofEmperorQianlongamong100-oddpaintingsandcalligraphyworksofthe18thcentury,whichreflectfineartachievementsoftheroyalfamilyandhighofficialsoftheQingDynasty(1644-1911).(PHOTO/CHINADAILY)EmperorQianlongspassionforcalligrap,Qianlong,whosereignlastedfrom1736to1795duringtheQingDynasty(1644-1911),inChina,theemperorwasadeptattaemaininexistence,butononeoccasionalonein2014,researchersfromthePalaceMuseuminBeijing-ChinasformerimperialpalacealsoknownastheForbiddenCity-discoveredmorethan28,slifelongaffectionforarthadapowerfulinfluenceovertheentireimperialcourtduringhisreign,whichisthe,ahighlightedexhibitoftheongoingdisplay,whichshowsEmperorQianlongspursuitofliteratistyle.(PHOTO/CHINADAILY)JoyfulLeisure:CalligraphyandPaintingsbytheEmperorQianlongandHisCourtOfficials,anexhibitionbeingheldattheHallofLiteraryGlory(WenhuaDian),presentsover100ofthefinestworksproducedbytheemperor,"EmperorQianlongsfondnessforcalligraphyandpaintinglaidanimportantfoundationforthedevelopmentofthetwoartformswithinthecourt,"ZhaoZiru,curatoroftheexhibition,says."Heoversawgreatachievementsinthefieldsoflandscapepainting,worksdetailingbirdsandflowers,aswellasthedevelopmentoffigurepainting."AccordingtoZhao,theemperoralsomaintainedthepracticeofreproducingmodelcalligraphyandguidedcourstasteforcalligraphyandpaintingisperhapsbestexemplifiedbyStoneMoat,orShiquBaoji,amonumental44-volumecompilationthatcomprehensivelycatalogstheroyalinventoryofartworks,a,theemperorhadadedicatedstudy-theHalloftheThreeRarities(SanxiTang)-shandwrittencopyofthreecalligraphymasterpiecesfromtheEasternJinDynastythathehadcollected.[PHOTOBYWANGKAIHAO/CHINADAILY]The"threerarities",alldatingbacktotheEasternJinDynasty(317-420),arefinearticonWangXizhisClearingAfterSnowfall,hissonWangXianzhisMid-AutumnFestivalandWangXun,thetrioaregenerallyconside,DongBangdaslandscapeMemoriesoftheHalloftheThreeRarities,placesWangXizhiatthecenteroftheimageasiftodepicttheemperorreimagininghisidol,accordingtoalongp"threerarities",accordingtorecordsintheStoneMoat,andoneoftheseworksappearsintheexhibition."Throughthis,QianlongisshowinghisdevotiontotheoriginsoftraditionalChinesecalligraphy,",QianlongscourtiersproducedModelBooksofCalligraphyFromtheHallofThreeRarities,whichfeaturesmorethan300reproductionsofthemostimportantworksofcalligraphyfromChinesehistory."ThisrepresentsamajorcontributiontotheinheritanceofancientChineseart,"oftheNorthernSongDynasty(960-1127)painting,,includingSuShi,MiFu,,QianlongwantedasimilarlyelegantgatheringintheForbiddenCityaswell."ThehighofficialssurroundingQianlongwereagroupofliteratiwithfineculturaltastes,"thecuratorsays."Theysharedtheemperorsemotions."In1743,QianlonginvitedthecapitalsliteratitoattendthefirstteapartyatthePalaceofDoubleGlory(ChonghuaGong)intheForbiddenCity,whichbecameatraditionduringhisreign."Theemperorsetathemeforeachparty,andwroteimpromptupoems,promptingthegueststofollowsuit,"Zhaosays."Thishelpedtoformacloserbondbetweentherulerandcourtofficials."ShiYiShiErTu(TheOneandTwo),anotherpaintingondisplay,isanapparentreflectionoftheemperor,dressedinthestyleofaHanChineseliteratidespitebeingaManchu,:WhichoneisQianlongstrueidentityTheoneonthethronewithultimatepowerinreallife,ortheoneinthepaintingwhorevelsinjoyfulleisure。

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